Dear Julian, a fresh take on the Canalazzo and the stones of Venice! Shimmering, glittering and twinkling, a glassy light, lovely, but seems chilly and damp with a pale autumn sun!
Anna.
(1783, on the Grand Canal...)
The light is so blinding today. Sparkling Tuesday...The black mooring posts obstinately try to wedge bubbles of white ligth against the wall of the Palace...
- Please, Dear Viscountess, our gondola is ready!
- All right I come. But I have to check once more my make-up and the position of my wig, dear husband!
- We-are-in-hurry, Luisa, the wedding begins at 4 p.m.!
- O la la I know I know. Don't be so anxious my dear husband. You are like all the men of the world when it comes to marrying your daughter!
- And you, my dear spouse,you are like all the women of the world, when you...
- Watch yourself and be careful what you will say!"
What a wonderful day.
Love this conversation.... just perfection for La Serenissima. As usual, I thank you for sharing your insight and imagination with us.
Isn't it just magical what happens when Julian paints in Venice?
Oh yes,Julian brings to mind Ken Howard,but the big difference is that Julian has a more sensual relationship with nature.And more metaphysical.I didn't know Ken Howard lively paintings before; a virtuoso.Thanks to Helen Burdett.
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