Two unlikely friends - the thyme giving its benediction to the perfect lemon, whose brilliant yellow is balanced by the preponderant mass of subtle pastels.
I love your paintings and look forward to receiving the new one every day. Thank you. The references to your family are interesting and make me feel as though we are friends.
Dear Julian, if you had squared it up a bit, used a plumb line and left a few notation marks, Euan Uglow would have felt right at home. Why do I see a touch of Uglow here? Is it the uncompromising light, the searing yellow of the lemon against the greys and pinks of the back ground? A spare, hard won elegance. A fresco like palette? A stimulating change that is very enjoyable, but please don't stop painting the dark "golden age" still lifes just yet!
Anna.
Today Julian, I came upon a landscape of William-Merritt Chase: "Olive trees, Florence".
I was stunned by the high level of similarity between his brushstrokes and yours: creamy,lively,quivering! And luminous.
www.wikiart.org/en/william-merritt-chase/olive-trees-florence
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