Postcard from Provence, 1 original daily paintings by Julian Merrow-Smith

that is one hell of a pear - painted under artificial light or otherwise - scrumptious.........

There is an absolute cohesion between the background and the pear's body thanks to the harmonious shapes of all the brushstrokes.Additionally,the blurred outline of the fruit makes the passage miraculously easier with the background.A wonderful lesson of painting about the pictorial circulation of a whole surface.